Essay in 100 Years of Indian Cinema summary

Novice a hundred years, and yet the fascination pertaining to movies have not faded for a nation of one billion Indians. When Dadasaheb Phalke, the father of Indian Cinema, produced his epochal feature film Raja Harishchandra on 3 rd May 1913, it is less likely that possibly the exhibitors or the master film developer realized these people were unleashing a mass entertainment medium that might hold large numbers in sway for the next 100 years. The French might have introduced the concept of moving photos, but little did anyone know that India would eventually become the greatest film industry in the world. 2 weeks . miracle that Indian cinema has endured the test of time despite the vast cultural differences in yesteryear 100 years. Of india cinema posseses an identity that may be very unique and unrivaled. We have moved from the black and white quiet films to 3D, but our movie theater continues to maintain its standard essence -- to excitement. Even as net downloads and television carry on and cannibalize the theatrical profits of Indian films, the lure of the 35 millimeter is another thing altogether. It was Phalke whom introduced India to world cinema at a time when working in films was taboo. Following the success of his film 'Raja Harishchandra', several filmmakers in Bombay and Madras began producing silent films. By the mid 1920s, Madras had become the epicentre for any film related activities. Raghupathi Venkaiah Naidu, SS Vasan, AV Meiyappan set up creation houses in Madras to shoot Telugu and Tamil films. AlAM ALAThe quiet era came to an end when Ardeshir Irani developed his first talkie, 'Alam Ara' in the year 1931. If Phalke was the dad of Of india cinema, Irani was the dad of the talkie. The talkies changed the face of Of india cinema. Besides looks, the actors not simply needed a commanding tone but also singing skills, as music became a defining aspect in Indian cinema. The year also marked the start of the Talkie era in South Indian films. The first talkie films in Bengali (Jumai Shasthi), Telugu (Bhakta Prahlad)...

Hum a hundred and fifty Film Judgment Essay